The nocheck markers were written as long single lines; ruff splits the
call across three lines and leaves the marker behind the closing paren.
Committing the formatter's own output keeps the tree and the history in
step.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
The gate flagged six of my own changes. INFINITO_ANSIBLE_COLLECTIONS_SOURCE
reached default.env without a handler, so the generator dropped it
silently; ansible.sh then carried a shell-side default for the same key,
a second source that drifts. Both are now one declaration, read as
required, so a missing key fails loudly instead of falling back.
File reads route through the session cache except where the same run
rewrites the file, which is the documented opt-out and now says so per
call. The updater reads yaml through utils.cache.yaml rather than calling
safe_load itself.
restore_collection_history.sh was committed without its executable bit,
and the new workflow's name was 31 characters where the dispatch menu
truncates at 25; the explanatory wording lives in run-name instead.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
Which of the two sources is faster is not a constant. galaxy.ansible.com
degraded from 207s to 687s over one day and then served 502s outright,
while the pinned git fallback carried the same install in 31s; a week
later the order may be the other way round. The daily job times both and
swaps the default only when the preferred one's median reaches three
times the other's over twelve samples.
A failed install is recorded as None and ranks worse than any duration,
so an outage counts instead of dropping out of the statistic. Below a
full window nothing changes, which keeps a single bad day from flipping
the default.
History lives in an artifact rather than the Actions cache: a schedule
run resolves to the default branch and has read-only cache access there,
so it could not carry the window forward.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
kevinveenbirkenbachandClaude Opus 5